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Accuphase C-11
- Frequency Response: 1.0-400.000Hz+0.-3.0dB
- Total Harmonic Distortion
- Rated Output Level and Impedance
- Headphone Output
- Singal-to-Noise-Ratio
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Accuphase C-200
- Maximum Input For Disc Input
- Output Level And Impedance
- 10 Step Rotary Switch
- Power Consumption: 36Watts
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Accuphase C-2000
- Fully modular construction with individual
- Separate power transformers
- High quality tone controls
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Accuphase C-200V
- Frequency Response: 1.0 to 400.000Hz+0.-3.0dB
- Total Harmonic Distortion
- Rated Output Level and Impedance
- Power Requirements: 100 V
- Power Consumption: 40Watts
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Accuphase C-202
- Frequency Response: 1 Hz to -400.000Hz
- Total Harmonic Distortion
- Maximum Output Level
- Power Requirements: 100 V
- Signal-to-Noise-Ratio
- Headphone Jack
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Accuphase C-222
- Total Harmonic Distortion
- Output Level and Impedance
- Headphone Jack
- Singal-to-Noise-Ratio
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Accuphase C-230
- Input Sensitivity And Impedance
- Output Level and Impedance
- Power Requirements: 100 V
- Subsonic Filter
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Accuphase C-240
- Input Sensitivity And Impedance
- Output Level and Impedance
- Power Requirements: 100 V
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Accuphase C-2400
- Revolutionary AAVA volume control for top performance and superbsound quality
- Fully modular construction with individual left/rightamplifier units arranged on motherboard
- Separate powertransformers and filtering capacitors for left and right channels
- Logic-con
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Accuphase C-245
- Current feedback circuit topology provides outstanding high-range phase characteristics
- Six line amplifier units in tripleparallel dual MCS configuration
- Fully modular unit amplifiers with discrete circuitry
- Tone control circuitry
- Option boards
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Accuphase C-250
- Frequency Response: 20-500.000Hz+0.-0.2dB
- Total Harmonic Distortion
- Rated Output Level and Impedance
- Power Requirements: 100 V
- S/N Ratio
- Headphone Jack
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Accuphase C-260
- Frequency Response: 1.0 to 600.000Hz+0.-3.0dB
- Total Harmonic Distortion
- Rated Output Level and Impedance
- Headphone Output
- S/N and input converted noise
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Accuphase C-270
- Frequency Response: 1.0 to 500.000Hz+0.-3.0dB
- Total Harmonic Distortion
- Output Level and Impedance
- Singal-to-Noise-Ratio
- Subsonic Filter
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Accuphase C-270V
- Total Harmonic Distortion
- Rated Output Level and Impedance
- Headphone Jack
- S/N and input Converted noise
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Accuphase C-275
- Ideal balanced line amplifier principle. - Current feedback topology for superior operation stability. - Complete mono construction with separate left/right transformers. - Logic-control relays for shortest signal paths. - Dedicated headphone amplifier designed for top-quality sound.
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Accuphase C-280
- Total Harmonic Distortion
- Output Level and Impedance
- Power Requirements: 240 V
- Singal-to-Noise-Ratio
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Accuphase C-2800
- Revolutionary AAVA volume control
- Printed circuit boards using Teflon base with low dielectric constant and low loss
- Separate R-toroidal transformers for left and right channels
- Fully modular construction with individual amplifier units for each stage
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Accuphase C-280V
- Total Harmonic Distortion
- Rated Output/Impedance
- Power Requirements: 100 V
- S/N Ratio
- Sub-Sonic Filter
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Accuphase C-290
The C-290 takes the balanced transmission technology developed for the C-280V to an even higher plane of perfection. All aspects of circuit topology were reexamined, and only the finest parts and materials are used in this ultimate performer. The C-290 is a line amplifier, but the optional phono e
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Accuphase CX-260
- 2-channel/6-channel compatible
- Current feedback principle ensures superb high-range phase characteristics
- 6 totally separate modular line amplifiers
- 6 separate preset level controls
- High quality six-gang volume control
- Mixdown functio
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Accuphase DC-300 Digital
The DC-300 looks like a conventional analog preamplifier, but internally, there are significant differences. All adjustments such as volume, balance, tone control, loudness compensation, etc, are made in the digital domain, using a 48-bit signal path and highly advanced Accuphase DSP technology. I
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ACOUSTAT RP-2 “reference” pre-amp
A collaborative design effort by Jim Strickland with the phono section designed by Frank Van Alstine.
The RP-2 pre-amp offers true dual mono configuration complete with dual isolated power supplies for each channel.
Three “hi-level” inputs. Two tape inputs including monitor. Three
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Adcom GFP-715
Two Channel Full Function Preamp
Class A line level preamp
High-resolution audio bandwidth
4 audio inputs
1 phono input stage
Tape output w/monitor function
External processor loop
Bass,treble,and balance adjust
Front panel headphone input
Wirele
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Adcom GTP-602
- Built in RDS tuner
- Phono input stage
- Bass and treble control
- Rear Panel IR Inputs
- 12 Volt Trigger outs
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Alternate Audio BCAP
- High-bias class "A" operation
- High quality Aeon polypropylene input caps
- Precision volume and balance controls
- Four input selections
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Alternate Audio RCAP Remote controlled Pre Amplifier
The RCAP has been designed to fill the audio market's lack of audiophile quality, minimalist design, remote control preamplifiers. The RCAP is a completely remote controlled audiophile preamp. Metal film resistors, switched via relays, provide 40 discrete volume settings. - High-bias class
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AMC AV81c
- Eight stereo audio inputs
- Buffered video outputs
- Video bandwidth from DC to 18MHz
- 75 OHM output impedence
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AMC XP / Xpi
- Adjustable input senstivities
- Balanced output
- Auto power on/off
- 12V Trigger output
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Anthem TLP 1
- Input Impedance: 25 k
- Maximum Input: 4.0 Vrms
- Maximum Output: 3.3 Vrms
- Crossover Frequency: 80 Hz
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Antique Sound Lab LH-O1
- 15mW on 32 Ohm Headphone
- 1V 15Hz to 100K -1 db
- 15Hz to 100K -1db
- S/N Ratio 85dB
- Input impedance 100K
- Power request 30W
- Input sensitive 1V
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