Newform Research R645 Floorstanding Speakers

Newform Research R645 Floorstanding Speakers 

DESCRIPTION

2 way Ribbon with 45" wide dispersion, monopole Ribbon and dual 5" ScanSpeak carbon fibre pulp midbasses. Extremely dynamic and transparent new technology linesource loudspeaker with high impedance, high sensitivity for stereo or home theater applications. Heavy 1" MDF cabinet sold factory direct.

USER REVIEWS

Showing 1-10 of 85  
[Sep 24, 2015]
Jason
AudioPhile

I have read all the reviews. I have something very valuable and brand new to add to this discussion.

After taking this speaker apart, dissecting it acoustically, and obsessing over how to make it sound right I have without a doubt something special to offer. The speaker has potential, but it does require some trial and error and modification to make it sing.

The speakers sound much better with active crossovers to improve the integration between drivers. Beyond this they sound much better with digital EQ. It is not trivial, it is a necessary step. I would not be able to listen to these speakers without the EQ. With EQ they are unsurpassed. And I do own focal beryllium speakers ( a sort of grand utopia clone I created).
People talk about different amps and the speakers sounding laid back. Well long story short you can use any amp, including a low powered tube amp and have these speakers sound forward and 3D. How? The secret is by increasing the dynamic EQ ratio, and lowering the threshold on the Behringer DEQ 2496. Things will snap into focus if you do this. Instead of trading amps and cables and altering compression and expansion filters inherent in components functionality and sound, you can literally adjust it at will. This is the big realization. That when you swap components such as cables and amps, you are in fact adjusting frequency response, phase relationships, and effects such as compression and expansion. Now these speakers have stock a bland laid back sound with the wrong amp. If you set the dynamic eq ratio and threshold by experimentation you will find that these speakers come to life with amazing dynamics. They are not weak and fragile like domes. You can EQ the hell out of them, and they will take it without strain.

Now you may be thinking well I can do that with any speaker why bother with these? Because you can't make other speakers sound like this. They just won't disappear to this extent. You can literally make these sound however you want. But you need to have the digital eq and better have the digital x over as well to get you there.

I wish I could fly to everyones home and do this set up procedure for them just to hear how happy they are.

OVERALL
RATING
5
VALUE
RATING
5
[Sep 01, 2012]
Gary Wiener
AudioPhile

I've owned these speakers for close to 10 years and I still love them! They are original 645s with the Kitchen Sink Upgrade V1. As my electronics have continued to improve, the speakers have continued to improve. I'm simply amazed (changed my preamp about a week ago and it seems as though my music is simply coming out of a black hole - everything is so quiet, so detailed, so beautiful!). I don't know of a speaker on the planet that has better mids and highs. The bass is very good, but not unbelievable. for this reason, oe day I'd like to upgrade to the Line Source Reference. I could go on and on. They're so easy to set up and have minimal interaction with the room. Thanks John, for creating such wonderful speakers and keeping the price so reasonable!

OVERALL
RATING
5
VALUE
RATING
5
[Dec 18, 2009]
Doug H
AudioPhile

I own a pair of heavily modified R645 V1s that I've enjoyed for a number of years. I would like to comment on my own experience with these fine loudspeakers and contrast it with the interesting and insightful review written by Louis on July 28, 2006.

I bought these speakers sound unheard. Although I was pleased with their overall performance I had a nagging feeling that something was missing. Yes they have great detail, imaging and are easily driven but as Louise wrote they sounded rather thin and uninvolving. The bass was there but it didn't have a great deal of body and the speaker seemed to suffer from mid range suck-out. Integration between the mid-bass drivers and the ribbon needed improving. Highs were tizzy and raspy particularly with sibilance.

Initially I drove the R645swith a Bryston 4B ST power amplifier and a Van Alstine T7 preamplifier. A couple of years later I heard about the KSU 2 upgrade. I ordered it from Sonic Craft for a cost of about $700 US and went to work. The KSU2 made a significant improvement in terms of ribbon/midbass integration, soundstage expansion, and alleviation of some of the aforementioned problems. But in my opinion it didn't afford an improvement as great as that described by Louis.

The next step up came from an improvement in the front-end electronics. I moved to a Van Alstine Ultra 550 power amplifier. The improvement was astonishing and very surprising given the almost universal accolades that are showered upon Bryston equipment. The Van Alstine power amplifier made the Bryston unit sound like just another rather boring solid state amplifier. Not only that, it demonstrated just how revealing the R645 is. Gone was the mid range suck out and tizzy highs. In was much greater musicality.

The next revelation came when I replaced the ribbon series Theta capacitors that came with the KSU 2 kit with V-caps from VH Audio. This simple modification resulted in an enormous leap in performance. Sound stage width and depth became enormous. Midrange and highs became sweet and oh so musical. The R654s disappeared and all that was left was music. Indeed, their performance now far surpasses that of my Grado GS-1000 headphones which are considered among the very best in the world.

In summary, in their stock form the R645's have some limitations that result from cost-cutting in crossover components and cabinet damping. They are also a highly revealing loudspeaker that demands high quality amplification. But if you have the time and inclination to perform a few modifications on them you will have a world-class loudspeaker.

OVERALL
RATING
5
VALUE
RATING
5
[Aug 26, 2009]
leroy millard
Audio Enthusiast

after hearing these speakers put out there magic I went to downsize my other sets to someone elses spaces. i'm gettig there slowly but i have more space now, more to come.
these are near perfect sounding to me....

OVERALL
RATING
5
VALUE
RATING
5
[Jul 28, 2006]
Louis
AudioPhile

Strength:

1) Very 3D soundstage with superb speed and imaging.

2) Life-like sound if you have the right equipments. Almost the next best thing to live performances.

3) The appearance could be imposing, easy to impress your buddies. :-)

4) Close to truely full-range speakers with the Kitchen Sink Upgrade II.

Weakness:

1) Could sound thin when the power amp is underpowered. The R645 is much more power hungry than the specs have shown. Well, when's the last time you see a ribbon-based speaker that is NOT power hungry?

2) Not a forwarding sounding speaker, and thus if you are looking for the sound to engulf you, R645 may not be your choice.

3) Resale value hit: Just don't expect to pay $2750 brand new and get 70% back when you sell it, ok?



This is my 3rd and I hope the last review of this pair of wonderful speakers.

In a nutshell, my 1st review was back in 2001, and I had nothing but praises. That was when I started going into the high-end audio hobby. My 2nd review was in 2005 or so, when I owned the R645 for a 2nd time. My listening experience at that time was much more expanded, and I was very critical of the sound, and many of you sent me hate emails, flame et al. Some of you just can't take a 2 or 3 stars, can you? Even John Meyers sent me an email highly critical of what I said.

Come on guys! We are here to share opinions, not to cherry pick them!

In case you are curious, my 2nd review agreed with what Suel said a few posts earlier.

************************

Now, is third time's a charm? I purchased the R645 again but this one has the infamous Kitchen Sink Upgrade II plus the external tweeter crossover ($900 total) done by Sonic Craft. You may browse around and see the posts on how other R645 stunned by the great leap of improvements.

Since then, I have to disagree with what Suel said, and also add more details on why I still don't regard R645 as a reference quality setup in my home, and also a few $0.02 on equipment matching.

The KSU II gives 2 drastic improvements that are jaw-dropping:

1) COHERENCE - The scanpeaks are now blending in much better with the tweeter in terms of speed, smoothness and dynamics. What I didn't like about the stock was thatit sounded like 2 speakers into 1 (much like later Wilson Watt Puppy models). The stock bass module lacks speed, and most irritatingly, seems to play at a different *volume* from the tweeter. With the KSU II, now I hear a true organic whole.

2) BASS PERFORMANCE - The stock unit lacks mid-bass and bass in general. The last 2 times, I had to match it with very fast and musical sub. That addresses the bass issue somewhat but leads to other issues. With the KSU II, wow, I don't really need a sub any longer when playing Strauss's "Also Sprach Zarathustra" or Bach's "Toccata & Fugue in D minor".

Now, I still don't think this is my ultimate cup of tea:

A) For some reason, I cannot get big, full sound from the R645. It's not like I couldn't play loud nor the sound is not 3D. I could play real loud and the imaging is almost halographic, but I cannot get the orchestral sound to *envelope* me (Altec 604E users would know exactly what I am trying to describe). Try listening to some Mahler symphonies, and you will see what I meant. It seems like the sound is always in front of me. I could only say the R645 is not a forward-sounding speaker. If you like polite kind of sound, you will love the R645.

B) Something similar to above but more subtle: I still feel the sound is rather thin. The KSU II upgrade mades great strides in improving this area, but my Tangent RS-4 ($450 used) gives more sheen and body when playing Schonberg's "Transfigured Night" or Strauss's "Four Last Songs" while scarifying little in details (the R645 does have more details and instrument separation)

I don't have much idea on how to address (A). But for (B), I think the R645 likes high power solid state, especially MOSFET, amplifiers. When I was doing the 1st review, I was using Conrad Johnson MF2300A (an MOSFET). Later on, I used Sonic Frontiers Power 3 (which is 6550 based tube hybrid). Both gave truely full bodied sound.

My 2nd and 3rd reviews used pure tube amplifiers of various output power (from 35wpc VAC, 40wpc McIntosh MC240, 120w Manley Lab, to 280wpc KR Enterprise monoblocks). They are considered some of the very best sounding tube amps in terms of mid-range fullness. And I just don't hear the fullness with the R645. This time, I happened to have an Krell KSA100 Mk II that I coudl borrow, and boom! The full bodied sound is back!

I kinda recall some literature saying the R645 is easy to drive. I gotta disagree with that. Any cheap Yamaha A/V receiver could drive an Celestion SL700 (83db into 4 ohms), but it doesn't mean the Yamama really has the juicies to drive the SL700 the way it should be. In this case, you will get good sound from R645 with average amps, but you need truely high-quality, high-powered amp to realize it's full potential.

Based on my experience, I'd say the R645 would give the best sound in the following combinations (just the kind of equipments I owned before):

Solid State/MOSFET: Any Conrad Johnson, vintage Krell, vintage Mark Levinson, Muse, high powered McIntosh (MC2100 as a minimum). Citation 7.1 (bi-amp it!)

Tube Hybrid/Tube: Sonic Frontiers (I don't like Counterpoint at all, too unreliable and too veil-sounding). High powerd Acoustic Research amps (100wpc at least in my opinion). Music Reference RM9 Mk II.

Amps to avoid matching with R645:
- Any VTL made amps (they sound thin already!)
- Any Manley Lab tube amps (ditto!)
- low powered amp (recessed soundstage)
- any veil sounding amp (Musical Fidelity and un-modded Counterpoint comes to my mind)

********************

So, after all, you could get 5 star if you have great equipment match (like in my 1st review), or a 2 star if you have a disasterous match (like in my 2nd review). This hobby's all about adventurous experiments, no? Expensive propositions, but addictive and very enjoyable nevertheless.

********************

My final words about positioning: R645 is not as positioning friendly as you may think. Well, it's not like my Wilson Watt Puppy which took me almost 2 days to get it right. The R645 is not as nightmarish as the Wilson, nor picky as Martin Logan, but you really need to experiment a lot to get the optimal position. They WILL disappear if you put them right.

Happy listening!

Similar Products Used:

Too many to list: Revel F30, Magneplan 3.5R, Tangent RS-4 (not Klipsch), Rogers LS3/5, Altec 604E, Silverilne Sonata, B&W 801, Wilson Watt Puppy, JM Lab 807, Tyler Acoustics Reference I, Coincident Partial Eclipse, Meridian DSP5000, Martin Logan SL3, Odeon Double Six, Duntech Crown Prince, Alon IV, Legacy Audio Classic, Celestion SL700, Klipsch LaScala, etc etc .......

OVERALL
RATING
5
VALUE
RATING
4
[May 07, 2006]
Vincent Lim
AudioPhile

Strength:

Low price, stupendous performance and exquiste looks.

Weakness:

Weight. It is not easy to shift the speakers around the listening roo all by one-self.

Simply the best speaker available and certainly for the price.
The speakers demand the finest ancillary equipment although currently they are being used with Audio Research LS22 pre-amp, Audio Research VT130 power-amp and Audio Research CDP 3 supported by a REL STORM sub-woofer.
The sound output from all types of music fromm rock, vocals to orchestral and opera is truly magnificient.

Customer Service

Have had no opportunity to liaise with JM yet.

Similar Products Used:

Magneplanar 3.5s, Quad 63s, Quad 57s, Harbeth, Apogee Scintillas and Apogee Divas.

OVERALL
RATING
5
VALUE
RATING
5
[Jul 26, 2004]
cmiller
AudioPhile

Strength:

Beautiful soundstaging. I took J Meier's advice and got rid of my center channel. There will be no need to go back to one! The clarity is far beyond any traditional cone speaker that I have heard...even my McIntosh's. I personally love the look, and the attention they draw from guests. People are impressed before I turn them on. Once I turn them on, even my wife (who didn't understand why I needed speakers that were a foot taller than her) admitts that they bring out sounds in music never noticed before.

Weakness:

I honestly can't list any. The price could be a barrier for some people, but the 645's outperform speakers many times their price.

I drive my wife and friends crazy by constantly upgrading/switching speakers and components and claiming "this just doesn't sound as good as it could." Nobody else seems to appreciate why I need to listen to my speakers in the dark, then angle them inches at a time until I am satisfied. I can honestly say that there will be no need for me to upgrade now that I purchased these. I had a pair of 830's in the past that I loved, but I got frustrated every time I stood up and got muffled sound. At the time the 645's cost too much. If I had the chance to experience the 645's back then I would have done anything possible to buy them. Instead I wasted many years and dollars trying high end all cone speakers. I am beyond meticulous with sound, and there is absolutely no comparison with these!

Similar Products Used:

Mordaunt-Short towers, Vintage McIntosh, Polk Audio, Definitive Technology, B&W, Triad. (I told you I switched speakers a lot in the past).

OVERALL
RATING
5
VALUE
RATING
4
[Jan 13, 2004]
suel
Audio Enthusiast

I owned the R645 for more than a year and have to agree for the most part with the previous reviewer. The R645 is extremely fast and revealing. The soundstage is wide, tall and 3D. Yes, unlike the prevous reviewer, I did get the 3D effect from this speaker. Maybe it is room-related. The imaging is pin-point accurate as well. However, that's about where the good news ends. Here are the major deficiencies that I found with this speaker: 1. Bad crossover design resulted in recessed midrange(thinness), and non-coherent sound(woofer sounds seperate from the tweeter. 2. It is almost impossible to fully integrate the line source tweeter with point source woofers(just two of them), as the power responses are different. 3. Limited dynamics from the twin 6.5" woofers, as well as from the ribbon itself. 4. Severe lobing effect between the two woofers, as well as between the woofers and the tweeter. 5. Given that the ribbons have really good horizontal dispersion, I am surprised to find that the sweet spot is fairly small. Maybe it is because of the poor off-axial response of the speakers(due to crossover design). The transparency and fastness of the upper and upper-mid range of the R645 can be initially eye-opening. But longterm listening experience is compromised due to the problems I described above. In the end, a more balanced speaker will probably provide a more enjoyable experience. This is not a bad speaker. It has its strengths. But the expectation should not be set too high. I do believe that there are better values out there for your $$$.

Similar Products Used:

B&W 604, 801 Series 2, Magnepan 3.6R and 1.6R, Swan 1.2, Thiel 2.3 and Linkwitz Orion.

OVERALL
RATING
3
VALUE
RATING
2
[Nov 21, 2003]
John Thomson
AudioPhile

Strength:

Resolution, detail, soundstage, great bass control, volume, speed.

Weakness:

Cheap speaker connectors on Panasonic XR45.Complicated control system on Beringer if you decide to modify the settings - proceed only after becoming familiar with the instrution manual, but very flexible once you know your way around.

This review is of the 645 with the new digital amp package that John Meyer has put together. This consists of a Beringer Ultra-Drive Pro 2496 professional digital crossover. Input is analogue or digital. I am using it in digital mode driven from a Musical Fidelity X-Ray player used as a CD transport only. The Ultra-Drive feeds a Panasonic XR45 Home Theatre 6 x 100watt/ channel digital amp(probably more like a real world 70 watts) which is run as a 4 channel amp, biamping the 645's. Total cost is around $1k US. This equipment replaces a tube integrated amp from a very reputable firm. I won't mention it because it is a truly wonderful sounding amp and they don't need the agro. It started out as an experiment to see what the fuss was about digital amps, an easy step to take at the price. If I didn't like it, sell it on ebay for minimal loss. One of the big benefits would likely be the removal of the passive crossover parts as well as fine tuning phase, time alignment and gain, all in the digital domain. So what does it sound like? Quite remarkable. A cheap Japanese amp(American TI amp chip)blowing the doors off a $4k+ tube amp. I expected the bottom to be much tighter a al Bryston or other SS amp and was not disappointed. Deep, deep and under iron control. What I did not expect was the VERY large increase in resolution. The proverbial "I'm hearing things I've never heard before". Voices especially have way more presence. And loud - Neil Young got to 107db c weighted at 10feet before my ears and the room cried uncle. The speakers and amp however seemed happy and able to keep going louder. Maybe I'll get some ear defenders and see what the limit is. As you would expect, it lacks the 'romantic' quality that a good tube amp conveys and some CDs do sound worse with this rig than with the tubes. ButI believe this is largely due to the fact that they were bad to begin with and the tubes were glossing over the imperfections. With the digital amp and John Meyers wonderful ribbons, there is just no hiding. But if, that which is there is good, the hairs on the back of your neck will be rising and you will have goosebumps. And all this without playing around with fancy cables, connectors, minimal breakin, etc. This is only going to get better. And I should make a nice profit from selling the tube amp!

OVERALL
RATING
5
VALUE
RATING
5
[Nov 09, 2003]
BobbyM
AudioPhile

Strength:

Intergration,sound at sitting or standing position is great, and the same, due to the overall tall configuration.

Weakness:

Really none

John Meyer is a true speaker Guru,who is not greed driven like some of the owners who overprice there products to the point of being obscene.At 2265 delivered the 645's are the best buys in the speaker world period.OH and that is $2265 DElIVERED to your door.And there is more that price also gets you a 30 day guarentee if you are not satisfied just ship them back and you are back to the start!!! but you won't..... These speakers are so darn good you will get goose bumps and want to get home from work everyday for more listening,I already have taken several day's off to get to some serious listening.And they only get better with time. I am not just talking thru my hat I mean every word I say,these unit's would easily bring 10,000 dollars and more.Truely remarkable. This is my second review,my first was about a month after I got them.I feel as if I owe Mr. Meyers at least this much more,Thank You John you are truely the peoples man,it still astounds me that you have been able to keep the price so darn low,I won't ask how you do it but I sure am scratching my head!!! I am dying to hear your new digital setup man that must be a real treat. Funny after two years of utter enjoyment I still look foward to my day's off with my Newform 645's,They are true value and like I said before They have NO PEERS.

Similar Products Used:

Maggies,Thiels,many others

OVERALL
RATING
5
VALUE
RATING
5
Showing 1-10 of 85  

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