Marsh Sound Designs P2000B Preamplifiers

Marsh Sound Designs P2000B Preamplifiers 

DESCRIPTION

Balanced Line Stage Preamplifier

USER REVIEWS

Showing 1-3 of 3  
[Nov 01, 2009]
Gee-audio
AudioPhile

The Jerry Emrileskye "review" is clearly bogus since the p2000b is NOT a tube preamp.

More likely, a case of Internet misinformation and/or competitor dirty tricks.

OVERALL
RATING
4
VALUE
RATING
4
[May 26, 2005]
saudio
AudioPhile

Strength:

accurate, uncolored, clear sound. Silent background, wide dynamics with no strain. Great imaging and detail. Natural sound all the way through. No harshness or grain.

Weakness:

case cover is somewhat thin, need to dampen vibrations. Remote control is small and cheap looking, but works well.

This review is for the balanced (p2000b) solid state version of the Marsh preamp. I am using the XLR to my amp. I got this unit from audiogon, at a great price and couldn’t be happier. The build quality is good, not like a tank though. However the insides are very good, and that’s what matters. Nice simple layout using top quality parts. The sound is great! A big step up from my previous pre (which I did not consider a slouch). Accurate, uncolored sound with a dead silent background. Big uncompressed dynamics flow from this pre with no problem. Loud dynamic swings just happen, unfettered and very clear. There is also a lot of detail from this preamp, but not unnaturally so. The sound is crisp and clear. The highs are extended & focused, not harsh at all. Smooth and natural. Nice full midrange, no electronic glare-very natural. It is rich, but I don’t think anything is added, just sounds right. It’s the balance between detail-timbre & accuracy that make the mids sound, well natural. If you want a gooey (colored) tube like sound, this is not your preamp. The bass is also extended and full. I would say it’s controlled and tight. I am hearing more detail in the bass etc. than ever before. Transparency is also a strength. The music occupies the soundstage clearly, and different instruments don’t smear together no matter how quiet or loud it gets. The soundstage extends plenty wide and deep. It’s nice to hear into the soundstage (front to back). I don’t understand the previous reviewer; may have had a defective unit. If you look into this pre, you will find it has premium parts like audiocap and exotica capacitors, ALPS controllers, true dual-mono design including separate power supplies, and ‘Class A’ operation. Nothing cheap here. Although I will say the remote control is kinda small and unimpressive. But it works well so no big deal. Only other complaint is that the case cover is somewhat thin metal. I put my hand on the preamp while playing music, and it vibrates some. I do have it up on vibracones, but I intend to dampen it with a Sorbothane sheet to remove any last vibrations. Also I am using good power cords, not the stock ones. To sum up, I got this pre used and am very happy with its sound quality. What it does-or rather not do to the music is wonderful.

Similar Products Used:

Parasound Halo P-3 Mcintosh C33 Parasound Halo A-23 amp Music Hall CD-25 modified cd player Cardas golden reference XLR Cardas golden reference RCA Paradigm monitor 11 DH labs Q-10 speaker cable MagicPower power cables Vibracones & pods, sorbothane sheet Dedicated separate ground for stereo Cardas contact cleaner

OVERALL
RATING
5
VALUE
RATING
5
[Apr 25, 2003]
Glenn
AudioPhile

Strength:

Resolution, space, bass definition

Weakness:

None

I just have to rave about this product. I tried it as a demo from Audio Advisor and I was hooked instantly. I had been using an AES AE-3 with some great NOS tubes which had an awesome midrange but the bass was not well controlled (like many tube units). I plugged this thing in and WOW! The bass is as tight as can be. It purrs, it growls, it plunks like a dream. Amazingly, the midrange is still about 95% of the tube magic I got with the AE-3. I couldn't believe I was listening to solid state. Another huge improvement is resolution. It's so crisp I can almost "see" the music. Finally, it has the relaxed presentation that make tubes so comforting. I don't know how Richard Marsh did this for $1,300 but he is to be commended. I challenge you to find any other preamp under $3k that comes close to this. I should mention I also use a Marsh Amp which probably takes the quality up a notch due to matching. I can't say enough about Marsh products. In my mind, they are clearly the leaders in terms of startling quality for the dollar in this industry. Highly recommended. FYI, the rest of my system is Classe 1.5 CD player, PS Audio Power Conditioner, Silver Audio interconnects, Audioquest Forest + and Midnight bi-wire speaker cables, and B&W Matrix 802 speakers.

Similar Products Used:

Classe CAP-151 integrated amp, AES AE-3, Audio Research

OVERALL
RATING
5
VALUE
RATING
5
[Aug 10, 2002]
Jerry Emrileskye
AudioPhile

Strength:

None

Weakness:

Everything

First off I am 42 and have been working in recording studios for over 25 years. So, this unit was given to me from a friend, it was new and in the box so I figured what the heck lets see what it sounds like. Please see my equipment list below so that you have no reservations as to my qualified attempts at making this product appear at its best. I am in no way trying to suggest that this product be a direct or even equitable to some of the equipment I own or have used this would obviously be an injustice to this product and the others used here, as the p200b is inferior. I plugged in the unit and waited for the sound to obtain any form of transparency or stage, which never came. The Audio was flat and appeared dry (as in a dry wine). Was the frequency response as bad a my 1971 transistor radio no, however the cycles per second this unit can provide is limited to the quality of internal components based on its price point (REALLY BAD). Avoiding the A/A paradox was easy by A/B sampling against my other tube preamps (bellow) and assuring an equal testing environment. I tested the output voltage – just to make it as fair as possible, my room has been optimized with its dimensional ratios and I tried playing phono, cd and reel to reel through this unit but….. I guess it is hard to explain in such detail the so many shortcomings this “tube” preamp has. As it is not even 6922 material I also tried many sets of tubes trying to find a better definition of sound from the unit but the processing of the signal was destroyed be the inexpensive build quality. I am sure that if I ever had to pay for this product it would be returned just due to the fact it cant live up to whatever supposed hype there is about it. The simplicity used to place tubes in this unit was like a first attempt at designing something with the word “tube” in it. I have heard so many other tube and solid sate preamps that would out-do this p200b with ease. No reviews on this product can only solidify the lack of people owning them due to the fact these reviews are directly based on a percentage of product owners. My suggestion is to do your research before any product which will be difficult on this product because apparently there isn’t enough people owning one of these boat anchors so please do yourself a favor and look elsewhere.

Similar Products Used:

Lamm LL2 linestage Avantgarde/Cary 300 SE monoblocks Krell Nirvana SX interconnect - unbalanced Acoustic Zen Alpha-Core Goertz Harmonic Technology Cary Audio CD-306/200 CD Player Cary Audio

OVERALL
RATING
1
VALUE
RATING
1
Showing 1-3 of 3  

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