Everything especially lower frequency reproduction (on my table)

Can't think of any.

Great cartridge. I've used a lower end grado in the past and didn't like it.This is in another league though. Don't want to rehash what everybody has already said about this cartridge, except that I love vinyl bass, and that the bass of this cartidge on my Final Tool turntable is more then I hoped for. It's not how much bass this cartridge delivers, but it's the quality of it. The mid bass is never overblown (One of my pet peeves) and the lower bass has deep rolling quality to it. Difficult to explain and must be heard to be fully apprechiated. I only hear the faintest hum when I turn my amp way up, when the needle is not on the record. Never an issue when the record is playing even at very loud levels. Detail is astounding the sound has 3-demensionality to it that make you feel you can reach out and touch instruments and performers. Highly recomended.

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Signet, Audio-Technica, Ortofon, Goldring etc, etc...

Liquid Mids, smooth overall character with extension that rivals MC cartridges.

Probably not the last word in bass.

The Grado Sonata phono cartridge is wonderful. It is smooth, detailed, dynamic, with the glorious midrange that Grado is famous for. It's high frequency response is smooth and extended. Overall it probably doesn't have the strongest bass reproduction available, though my system is not optimized for bass. I don't find it bass shy, It has all the bass I want, but I can imagine that some people might want more. It has a very short break in period. I have never had hum problems with it on my Oracle MkIII. I recently purchased the Grado PH-1 phono preamp. It really optimizes the Sonata, a killer combination

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Ortofon OM-20

This cartridge is phenomenal. I've been using a benz-micro for almost a year and had a tradgedy when i was dusting-broke the cantaliver off. The grado costs less and sounds better. Yes its a fixed coil design but even stereophile says its class B while the benz is class C! Its wood body also protects the cantaliver from those dusting tradgedies. The sound is warm, spacious, and extremely clear. Some say they hear a hum from this cartridge but there is no hum in my system. Im using it with a basis 1400 and a rega 300 tonearm. The motor is externally mounted on my model so thats probably why there isnt a hum.
If your looking for an excellent cartridge you have to hear this one. NO weakness that ive found yet and i never even touch my CD's anymore.

You need a good amplifier, good cables, and a pair of good stands, and you will get real music.On acoustic music it is very clean, punchy, and fast, you can forget that you have only so small speakers.
On electronic music (and pop music) lacks the bottom of bass, and sometimes you cannot feel that power and authority expected ....
With cheaper amps (Denon 250,350, Marantz PM66SE) it will lose the resolution and it's easygoing character.
Partnered with the Audio Analogue Puccini amplifier they will be reborn. The musicians will settle down in your room. There is a little coloration in the upper bass, but you can forget it. It sounds much better than all of the rivals in this price level. (depends on your musical diet)

I returned a Sony DVD player right before the 30- day money back guarantee expired, and bought the Grado Sonata. I never heard it before, but I read a review, or two about it. I owned the $50 Grado for a few years and heard things about a Grado "house" sound in their entire line-up. Who cares? This thing is Fantastic!

Bored with my long standing but pleasant Linn LP12, I went on an all out quest to find the best most accurate vinyl replay you can find - with the usual human budget constraints! A few thousand was acceptable - however telephone number prices were not within reach! Now for those out there who are under any kind of illusion that an LP12 is the last word in vinyl replay - it isn't. What I experienced from turntables from Basis, Michell, VPI, Townshend and Oracle to name a few were varying degrees of believability beyond what I had come to expect from a Linn. The Alphason Sonata/Atlas has it all, as auditioned with it's partnering arm the Alphason HR100s. I find it to be neutral, fun, with a level of enthusiasm rarely experienced out of the concert hall. Design is a little unusual, being a heavy suspended subschassis, using dual motors on oposite sides of it's acrylic lined metal platter. Speeds are 33/45 (switchable/ with trim adjustments). Lid quality is poor- but I would not reccommend anybody use a turntable with the lid connected.
Further improvements were to be found when substituting the excellent Zeta VDH arm, with dynamics to rival the best cd, with the lifelike qualities of real music! A better match than the HR100s!
Looks - neat & Functional, in black. Mine has the neat exterior Atlas power supply, and I have not heard a Sonata without. Build and setup are the finest I have seen on a suspended deck, all level adjustments being easily established from above. As the arm cut-out is "Linn style", and part of the subshassis, arm choice could be a bit limited, but either arm mentioned works fine.
Cd's seem to take a firm second-best status since getting the Sonata, and my girlfriend takes a lot of interest in music these days, finding more time to listen to this deck! Five stars for the Alphson...

Smoothhhhh....

No cover up like cheaper pick-ups. HUM...but I have a 1930's house with bad internal wires

Bought this Grado Sonata cart. when I bought a Rega Planer 3 turntable with an Aragon 47K phono pre-amp after 2 years of not listening to records (LP's) because my old Phillips turntable died a slow and painful death in 1998. The Grado Sonata cart. was chosen because it was $500.00, which was the same price as the Rega turntable ($650.00?) and the Aragon 47K phono pre-amp ($550.00?). In other words, I wanted to match the price range of the turntable and phono pre-amp in the hope that I would get something good. And I did, its fantastic!!! I never heard records (LP's) so SMOOTHHHHHH...in my life. I was forced into the Sony lie of the century that CD's were better in the late 1980's, when the record stores turned into CD stores. The problem was, without me knowing anything (as well as the public at large), that to play good music from a LP, you need good equipment. Of corse a $15.00 CD on a $250.00 CD player sounds better than a $10.00 LP on a $50.00 turntable. Now, I do have a small HUM problem at high volume, but thats due to the old 1930's wiring in my house, because I took the whole set-up (Rega turntable, Aragon phono pre-amp, and Grado Sonata cart.) back to the High-End store and they connected the whole thing to their system (Krell pre-amp and Amp...and it sounded PERFECT. Time for new wires in the house...Oh well. Thank you Grado for such a great cart.

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Who knows, it was years ago on a cheap Phillips turntable before I knew anything