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Review NaN of
, from Philadelphia, PA
Price Paid:
$4200.00
from Reference Audio Vide Summary: The Proac Response 2.5's are the first truly "high end" speakers I've ever owned. Before owning the Proacs I bought whatever looked good in the Crutchfield catalog or at Circuit City. God, I had no idea what I was missing all these years. I can't get over how clear and natural sounding the Proac 2.5 midrange is with female vocalists such as Dianna Krall or Tsai Ching. And with classical music, Isaac Stern's violin sounds so damn real ! It sounds like it's right in the room with me, not locked inside the cupboard or under the sofa. The bass on the Proac 2.5 is quite astonishing for only a 7" woofer. I've taken the grills off several times just to reassure myself that there isn't a 10" or 12" driver hidden in there somewhere. It's a very clean and accurate bass that doesn't boom unless you put the 2.5's too close to walls. That's a big no-no. To be absolutely fair, I will say that on certain older (and bad) classical chamber music recordings, turning on a subwoofer will move more air and bring out the cello, but I think that the Proac 2.5's are faithfully and accurately reproducing everything that's on the disc -- it's just a bad recording. Wanting older bad recordings to sound "fuller" is more of a psychological thing, and having a sub around will help with that craving. The Proacs are dead accurate and will not give you something that's not there to begin with. Overall, I could not be happier ! Strengths: Absolutely wonderful sound ! Weaknesses: I found that the high end may be a little attenuated with harpisicords and those brush things that percussionists use in jazz. It's not noticeably bad or anything, just an observation. To be absolutely fair, my Proacs are not fully broken in yet. I'm told that the Proacs will open up more after about 200 hours of playing or so. It could also be that the Musical Fidelity A308 integrated amp I'm using hasn't run long enough yet or isn't the right thing for the 2.5's.
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