frostmetal

Overall Rating
 5 of 5

Value Rating
 4 of 5

Used product for
3 Months to 1 year

Visitors rate this review
4.86 of 5, 7.00 votes

Price Paid:  $1000.00 from Retail

Summary:
I have a relatively small room and hence was looking for just the right bookshelf speaker that is not boomy or over-extended. Tried a couple in my place - including well reviewed Monitor Audio B2 and B&W CDM 1NT. Also auditioned many small speakers in the stores, including Spendor, Vienna, Sonus Faber, AE, Whaferdale, KEF, Quad and others but didn't seem to get the type of vocals which I like. Until I heard the Harbeth HL-P3ES2. After I bought it, hooked it up with a integrated tube amp pushing 48W (about 100W in SS terms) and the vocals were simply amazing - so detailed, neutral and most important of all, can touch your heart. Playing some of my familiar songs, I was so touched by the "emotion" of the music. Not many speakers can do that. And the clarity, I guess because it's combined with the tube amp, is so amazing - I can hear so many details and in some good recordings you can actually hear the singer parts the lips to sing! For the size, this speakers are great and recommended for near-field listening.

Strengths:
- Amazing midrange - Neutral, clarity and resolution tops - Does't require a lot of space to sing

Weaknesses:
- Bass is ok, not great - Soundstage is rather small (meant to be) - Good for vocals and jazz, not pop, rck or hip hop.

Similar Products Used:
See above

Price Paid:  $0.00 from from brother

Summary:
hi audiophile's and music lover's.............i have been usingthe harberh HLP3 bookshevles.....for 2 month's.....i hooked it up with my pre and power Naim Nac42 and Nap110 ,Audio alchemy transport with own DDE version 1.1 DA convertor.all cables are Naim. the first thing that i notice was this is a very stubborn and difficult speaker to drive compared with my previes sonus faber bookshelve'c.need to increase the volume level much higher for the amount of sound pressure level with my ex speaker's.i listen to all tpye's of music except opera.my listening room is small.i can tell its the most neutral sounding small speakers (similiarly price) i've listened.just love the natural accurate pitching and tonality of any instrument espeacilly acoustic one's.guiter's sounded atriculate,natural and quite sparkling.i can now listen to all the 6 string's being strum with a good strong rythym sense.Nylon string's sounding like nylon and metal string's sounded metalic.the only thing is electric lead guiter's lacking some agrresiveness and bite when playing rock song's.when listening to a jazz track,the acoustic piano tingkling sounded so natural in tone and pitch.the keys on the piano are real ebony keys not plastic.no complain about piano's.voice are also good..giving a slim,clean cutting and open but not warm enough for me.also i think human recorded human voice must have some colouration during the recording chain in the studio.for me live singing is the most accurate and neutral of all. Bass guter is a bit fat with less extension but tight enough and acceptable for me in my small room.one thing i love about this speaker's are when thers are two voice's ,one main singer and the othe backup vocalist or chorus,u can distinquish each individual voice's very very clearly.either sharing one mike or multiple mike's. i play the acoustic drum's in my room and i'm very familiar with the drum sound colour.the drum sound is very neutral in tone and pitch coming out of the harbert's HLP3.Woodsnare's sounded like wood with a nice tight warm and clear tone while metal snare's sound metalic with some ringging.that's how a drum should sound properly.every tom-toms also sounded accurately in pitch and tone either hi,medeum or floor tom's.tight natural.only lacking in dynamic and slam.crashe's ,hi-hat and ride's have good extension,pitch and also tone.the decay (tail) time of the crash'es are already being clipped or chopped of a bit during the recording process due to the limitation of the recording format.so u will never or ever get the real full crash sound especially the decay and instantaneaus raw piercing hi pitch sound of the crash sound.Overall i love the harbeth HLP3 sound.the Sonus faber concertino has more dynamic's,depth and lateral soundstage the the former but i prefer the Harbeth because its much more neutral,natural,and accurate.thank u for your time.

Strengths:
Tone and pitch has a very natural feel.Neutral.Accurate.Very clean,clear and humble human voice.Not noisy and tiring when played loud for long period's of time.simple and good looking.built for sound quality first,looks second.first class sound on acoustic music.

Weaknesses:
Lateral soudstage and depth sounded smallish.difficult to drive.Too dry for complex and noisy music.

Similar Products Used:
sonus faber concertino,system 931,roger's ,linn,Naim,and chario speakers.

Price Paid:  $0.00 from Italy

Summary:
These small speakers, hand made in England, are able to deliever a very balanced, rich, smooth, fluid, sophisticated d airy sound. They’re not easy to partner, however. I found the best match to be the Sugden A21a pure class A integrated amplifier, also recommended by Harbeth Ltd. and by many discerning listeners. As for the stands I use the Music Tools Tool One 67 cm height which seem to work very well as they were originally designed for the LS3/5a. The P3ES are the ultimate choice for smaller rooms, in which they provide a full range performance, especially if you listen to classical and acoustic material. They should be placed at least 40-50 cm away from the rear wall, even if they’re an acoustic suspension. I strongly recommend them to everyone who is looking for an updated version of the immortal BBC LS3/5a.

Strengths:
Tonal balance Dynamics Easy to listen Vocals Detail resolution Bass and low frequencies (for a minimonitor)

Weaknesses:
They cannot go loud and the sensibility is very low (but in a small room they’re just fine)

Similar Products Used:
BBC LS3/5a, Spendor S3

Price Paid:  $1500.00

Summary:
I bought these miracle "shoe boxes" after auditioning 10 bookshelf speakers. Could not believe the imaging and detail. As previous reviewers have indicated , they are ideal for small rooms ( my music cave is 2.5m x 2.5m) but lose a bit in large spaces. Took some time to find best listening position. Then realised my old NAD tuner/amp wasn't up to it. Spent time finding an affordable amp (currently Marantz PM19)which could drive the Harbeth's and which suited my taste in music. Next project is finding something better (valves?) to drive these babies. I have since listened to much more expensive speakers including Quads in an A/B type situation and have been more than impressed with the P3's as have others who hadn't heard of Harbeth. (There is no distributor/dealer in Australia)

Strengths:
Amazing vocals; no fatigue factor

Weaknesses:
Not easy to drive, but worth persisting in system matching.

Similar Products Used:
B&W, Dali, Monitor Audio

Summary:
One of the finest monitors available regardless of price. If possible, add Harbeth's bass Extender built specifically for the P3 and LS3/5a. Very, very tight and accurate bass.

Strengths:
Realistic presentation and pace

Similar Products Used:
LS3/5a, JMLAbs