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Review NaN of
Price Paid:
$1800.00 Summary: I think Dynaudio speakers look the business. Their drive-units in particular look better than most of the competition’s and the fit and finish of their cabinets are second to none. Then there’s the fact that, on the inside, construction is immaculate, with 75 mm aluminium voice coils (better power handling) on these 1.3 mk2 Contour’s, box-within-a box construction, furniture grade finish, chunky WBT binding posts. All these factors contribute to the expense of these monitors. Heck, for £1,200 you could get a pair of Dynaudio Audience 72 floor standers or a pair of JM Lab floorstanders, or JBL Ti2K’s, but, no, if you want transparency, if you want tight, controlled and punchy bass allied with a totally hear-through midrange and the crispest treble this side of a Yamaha NS 1000, then look no further.
So often as is the case, when you buy a speaker, you also, unfortunately have to buy the colouration that comes with it. Some might call it “The B & W House Sound” (read: constrained treble, lack of air and presence) or the “Focal Tweeter Experience” (read: ear-splittingly bright high-hats and sibilance). These Dynaudio’s impart so little of their own sonic character so in the end you end up hearing your equipment and the music. In fact, when it comes to neutrality, no other stand-mounted speaker at this price comes close. However, many might baulk at the fact that these speakers are so transparent, so neutral, that their recordings become ‘emotionless’. Not these babies. They let you hear everything but at the same time they also make you want to get up and dance. Must be the bass. For a stand-mount, this speaker has extremely deep and punchy bass like you wouldn’t believe. No speaker this size, in my experience, comes close when it comes to producing such amazing SPL’s and, in your chest, thumps (try hearing the fanfare at the end of the 1812 overture – the bells, the orchestra, and those goddam cannons!). Still, it does have its limitations and for really deep bass it’s worth getting a (REL) sub-woofer for those very bottom octaves.
I’ve tried these speakers with a range of CD players, amplifiers and cables. Each time, I’ve heard a dramatic change in the character of the music. For instance, with an old (70 watts) Harman Kardon amp, the sense of timing and impact of a good drum set was amazing but the midrange seemed a bit suppressed (loss of detail) compared with the rest of the audio spectrum. Then, switching to a pre-power combo (Tag Mclaren) allowed the midrange to open up but the low end, whilst deep, didn’t have the timing I wanted. Changed the amplifier again, this time to an Arcam A85 integrated, and this time, the whole musical experience came to life (amazing dynamics, thoroughly engaging handling of transients). A real synergistic pairing, which allowed the music to really come to life.
Weaknesses? Apart from the very lowest octaves, the bass is excellent. As with all Dynaudio’s, these speaker are quite demanding of current and need to be partnered with good quality ancillaries if they are to deliver their best.
Without spending an absolute fortune, these speakers, matched with a good source and amplifier will provide you with many years of listening pleasure. At the end of the day, what do you want to hear? The music or your hifi?
Equipment Used:
Harman Kardon HK 6550
Harman Kardon HK 670 (probably Harman’s most compromised effort ever)
Arcam A85
Tag Mclaren PA10 and 100P
Source:
Harman Kardon CD Player
Marantz CD Player (best combination came with this CD17 mk2 KI and the Arcam A85)
Sony SACD/DVD Player
Interconnects and Cables:
Van den Hul
Cable Talk
Black Rhodium Strengths: neutral, dynamic, punchy sound. Capable of real transient snap. You hear the music through these! Weaknesses: Needs good current. Amps below 50 watts need not apply. Too transparent and neutral for some(!) Similar Products Used: JBL Ti2K, Yamaha Ns1000M, B&W 804, JM Lab 905s, Castle Harlech
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