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Review NaN of
, from Germany
Price Paid:
$0.00 Summary: My Classe CD Player model 0.5 has been bought second hand and giving the fact that there a new models ( 0.3 / 1.5) and it is not possible to buy a new one, all my ratings belong to the second hand market.
So, first I have to say that if you get the chance of buying the player for a price around $1000 - get it.
Although I think, that the original price Classe asked, had been a bit overestimated, it will not be too difficult to get a used player for a reasonable price, because Classe has a good reputation as a high end producer in the inner audiophil circles, but it´s name is not so prominent as Levinson, Krell etc.
The first time I listened to a Classe player was back in 1997. The system was all Classe, wired by synergistic cables.
The sound just blew me away, but the prices asked were above my abilities.
Right now my combination is Classe CDP 0.5, Classe DR6 se Preamp, Nytech/Ion Systems Obelisk 3 powering Unisono Ardente Speakers through MIT Terminator 4.
Let´s beginn with the outfit. The Player is constructed very rigid and there is not the slightest thing to critisize here, if there wasn´t the cheap "sound & feeling" of the CD Loader. Don´t get me wrong, the transport itself is excellent, it´s only the loading procedure that doesn´t fit into the concept. Besides that, everything is excellent. The transport is very silent, no problems with CDRs. On the backside you find Cinch outputs and XLR sockets as well (I only use the Cinch terminal at the moment). The digital output is designed in AES/EBU, that means also XLR, but there should be no problem to get an adapter into common Cinch/Coaxial to deliver a digital signal into a consumer DA, although this might not be pure science especially regarding the wave resistance of the cable.
The CDP 0.5 sounds very nice from the start on, but it is wise to leave the main power on and let it warm up before judging. I like the standby mode, because there is no LED feature telling you what you already know - the unit is off (I hate this light show, found especially on newer equipment). The only feature I miss is that it is not possible to look for "time remaining" of a CD track. The rest is all you need IMHO, skip, repeat (CD or track) and some basic custom programming.
The player gets its power from a standard mains terminal, so that you are allowed to try alternative power cabels. Strengths: Now up to, what´s really important : The sound.
Strenths can be found in all "audiophil regions". Resolution is TOP! I mention this, because not all Classe equipment is showing strength here.
The details are absolutely excellent, but not with the typical Sony drawback, that the sound gets overanalytical and too crisp.
The general felling is a really high end one, the unit sounds "expensive".
If you are a fan of classical music, you must hear this player. Strings and piano get this wonderfull combination of definition and warmness. The lean back and relax factor is ultra high. This doesn´t mean, that there is too much of the warm character, which can smear sound to death (although the hardcore tube fraction will surely disagree with me in that point). The CDP 0.5 gets the right balance between analytical presentation and "tube tweaking". If you listen to live concerts, the singers act very stable and the stage is illuminated nearly holographically.
What I like best, is the way resonat instruments and percussions are converted. Every Guitar string picked is worth a standing ovation, the swinging in and out of drums is excellent also. Female Vocals sound natural and precise a Weaknesses: Where there is light, there always has to be some darkness......unless you spend a lot of money...
What I dislike is that the CDP 0.5 doesn´t seem to be the player of choice for everybody. If you only listen to rock and pop, there might be other components that will serve you better. If you like the "in your face" factor (disgusting here IMHO : Sony; much better but some people don´t like it as well : Krell), watch out for other vendors.
The Classe has a lot of punch and microdynamics are excellent, that is not the point, but what it does not have is this forward stepping as some people might know from their Technics 1210 MKII turntable. The sound sometimes seems to be a little bit compressed and the last 2 % of macrodynamics get lost, although this saves you from sharp s in Vocals, overpresence and hectic nonmusicality. Players that fire up here, get nervous very fast, so it always is a thing of balancing and personal taste. But I´m sure that if you are looking for the ultimate disco feeling - buy something else.
To be not misunderstood. I´m not the typical auiophil, sitting in front of his equipment and listening to the least interesting piece of detail that happens in hi
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