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 1402-VLZ
  • Separate RCA-type tape/CD inputs and tape outputs (unbalanced)
  • 2 aux sends with 15dB of gain above Unity
  • Aux 1 pre/post
  • Constant-loudness pan pots
  • Switchable AFL/PFL Solo
  • 2 stereo aux returns with EFX to Monitor switch
  • Aux 1 master with Monitor/Post assign switch
 1642-VLZ
  • 48V phantom power
  • 8 TRS channel inserts
  • Advanced DC pulse transformer RF rejection
  • 60mm long-wearing log-taper faders
  • 4 aux sends, level, pan, -20dB and OL LEDs on each channel
  • 4 stereo aux returns, 8 direct outs
  • 3-band active EQ with sweepable midrange on mono channels
  • 4-band active EQ on stereo channels
  • 18dB/oct. 75Hz Lo-Cut filters on mic channels
  • Control Room and Phones outputs with multi-input source matrix and separate level controls for each
  • Balanced inputs & outputs (except inserts)
  • Steel chassis, sealed rotary controls
  • Rack mountable
 
 CFX-12
  • Low-noise, high-headroom mic preamps with superior RF rejection
  • 12 channels (8 mic/line mono, and 2 stereo line channels)
  • 32-bit digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
  • External and internal EFX sends
  • EFX to Monitor control
  • Low-noise, phase-accurate 9-band stereo graphic equalizer
  • Inserts on all mic channels and main mix
  • True 4-bus design with direct sub outs and L/R assign
 
 CFX-16
  • High-headroom mic preamps with RF rejection
  • 16 channels (12 mic/line mono, and 2 stereo line channels)
  • 32-bit EMAC(TM) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
  • External and internal EFX sends
  • EFX to Monitor control
  • 9-band stereo graphic equalizer
  • Inserts on all mic channels and main mix
  • True 4-bus design with direct sub outs and L/R assign
  • 2 Pre/Post Aux sends and internal/external FX level sends on each channel
 CFX-20
  • High-headroom mic preamps with RF rejection
  • 20 channels (16 mic/line mono, and 2 stereo line channels)
  • 32-bit EMAC(TM) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
  • External and internal EFX sends
  • EFX to Monitor control
  • 9-band stereo graphic equalizer
  • Inserts on all mic channels and main mix
  • True 4-bus design with direct sub outs and L/R assign

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