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 C-11
  • Frequency Response: 1.0-400.000Hz+0.-3.0dB
  • Total Harmonic Distortion
  • Rated Output Level and Impedance
  • Headphone Output
  • Singal-to-Noise-Ratio
 
 C-200
  • Maximum Input For Disc Input
  • Output Level And Impedance
  • 10 Step Rotary Switch
  • Power Consumption: 36Watts
 
 C-2000
  • Fully modular construction with individual
  • Separate power transformers
  • High quality tone controls
 
 C-200V
  • Frequency Response: 1.0 to 400.000Hz+0.-3.0dB
  • Total Harmonic Distortion
  • Rated Output Level and Impedance
  • Power Requirements: 100 V
  • Power Consumption: 40Watts
 
 C-202
  • Frequency Response: 1 Hz to -400.000Hz
  • Total Harmonic Distortion
  • Maximum Output Level
  • Power Requirements: 100 V
  • Signal-to-Noise-Ratio
  • Headphone Jack
 
 C-222
  • Total Harmonic Distortion
  • Output Level and Impedance
  • Headphone Jack
  • Singal-to-Noise-Ratio
 
 C-230
  • Input Sensitivity And Impedance
  • Output Level and Impedance
  • Power Requirements: 100 V
  • Subsonic Filter
 
 C-240
  • Input Sensitivity And Impedance
  • Output Level and Impedance
  • Power Requirements: 100 V
 
 C-2400
  • Revolutionary AAVA volume control for top performance and superbsound quality
  • Fully modular construction with individual left/rightamplifier units arranged on motherboard
  • Separate powertransformers and filtering capacitors for left and right channels
  • Logic-controlled relays for shortest signal paths
  • High qualitytone controls
  • Optional analog record playback capability
     
     C-245
    • Current feedback circuit topology provides outstanding high-range phase characteristics
    • Six line amplifier units in tripleparallel dual MCS configuration
    • Fully modular unit amplifiers with discrete circuitry
    • Tone control circuitry
    • Option boards allow digital signal input and analog disc reproduction
     
     C-250
    • Frequency Response: 20-500.000Hz+0.-0.2dB
    • Total Harmonic Distortion
    • Rated Output Level and Impedance
    • Power Requirements: 100 V
    • S/N Ratio
    • Headphone Jack
     
     C-260
    • Frequency Response: 1.0 to 600.000Hz+0.-3.0dB
    • Total Harmonic Distortion
    • Rated Output Level and Impedance
    • Headphone Output
    • S/N and input converted noise
     
     
     C-270
    • Frequency Response: 1.0 to 500.000Hz+0.-3.0dB
    • Total Harmonic Distortion
    • Output Level and Impedance
    • Singal-to-Noise-Ratio
    • Subsonic Filter
     
     C-270V
    • Total Harmonic Distortion
    • Rated Output Level and Impedance
    • Headphone Jack
    • S/N and input Converted noise
     
     C-275
    - Ideal balanced line amplifier principle.
    - Current feedback topology for superior operation stability.
    - Complete mono construction with separate left/right transformers.
    - Logic-control relays for shortest signal paths.
    - Dedicated headphone amplifier designed for top-quality sound.
    - Supplied remote commander.
     
     
     C-280
    • Total Harmonic Distortion
    • Output Level and Impedance
    • Power Requirements: 240 V
    • Singal-to-Noise-Ratio
     
     C-2800
    • Revolutionary AAVA volume control
    • Printed circuit boards using Teflon base with low dielectric constant and low loss
    • Separate R-toroidal transformers for left and right channels
    • Fully modular construction with individual amplifier units for each stage
    • Logiccontrolled relays for shortest signal paths
    • Optional analog record playback capability
    • Massive cabinet of natural persimmons wood
     
     C-280V
    • Total Harmonic Distortion
    • Rated Output/Impedance
    • Power Requirements: 100 V
    • S/N Ratio
    • Sub-Sonic Filter
     
     C-290
    The C-290 takes the balanced transmission technology developed for the C-280V to an even higher plane of perfection. All aspects of circuit topology were reexamined, and only the finest parts and materials are used in this ultimate performer. The C-290 is a line amplifier, but the optional phono equalizer unit AD-290 provides lover of analog records with top-quality playback capabilities. Low-noise input modules are mouted on an alumina ceramic base, and the printed circuit boards use low-dielectric polyphenylene oxide (PPO) on a glass substrate.
     
     C-290 V
    3 balanced XLR inputs 5 RCA inputs 2 RCA and XLR outputs
     
     CX-260
    • 2-channel/6-channel compatible
    • Current feedback principle ensures superb high-range phase characteristics
    • 6 totally separate modular line amplifiers
    • 6 separate preset level controls
    • High quality six-gang volume control
    • Mixdown function
    • Logic-controlled relays for shortest signal paths
     
     DC-300 Digital
    The DC-300 looks like a conventional analog preamplifier, but internally, there are significant differences. All adjustments such as volume, balance, tone control, loudness compensation, etc, are made in the digital domain, using a 48-bit signal path and highly advanced Accuphase DSP technology. Immediately before output. The signal is converted into analog form by an MMB type D/A converter. Operation convenience is the same as for other high-quality Accuphase preamplifiers, with the digital principle opening up another dimension of clarity.
     
     DC-330
    Digital Preamplifier
     

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